The first in a series of musings on comedic duos.
R2-D2 and C-3PO. I was thinking about why I prefer the original movies to the later prequels, and the difference in these two is a good example. I won’t go into a lot of detail about episodes 1-3, that has been covered in detail elsewhere, but I will pick out an incident that exemplifies why I don’t like the prequels.
There is a scene where the two robots are going through a factory and R2-D2 knocks 3PO into the works and they get knocked about. 3PO gets his head pulled off, later it falls down into the floor and he says “I’m beside myself!”. It’s funny because its true figuratively and literally. It’s also not funny because its meta and you can see the scriptwriter being clever. Personally this is the kind of meta-humour that really turns me off in improv too, its always a distancing from what is going on.
On the other hand the comedy in episodes 4-6 comes soley from their relationship and personality. They were originally planned to be bickering bureucracts, that dynamic survived their transformation into droids. R2 is headstrong and not afraid of anything, 3PO is anxious and terrified of everything. They are the perfect odd couple.
The really great thing about them is that the audience can’t understand R2, which is a pretty brave thing to do if you think about it. 3PO is the straight man, R2 is the quick-witted one who always has a cheeky comeback, and the audience rarely finds out what it is. Imagine an episode of Morecombe and Wise where you had no idea what Morecombe was saying, only Wise’s reactions would sell the humour.
It also makes me think about scenes in gibberish where one character can speak normally and translates or reacts to the other person. I know I always prefer it when an improviser reacts as if they can understand because it adds a whole new texture to a scene.
Which reminds me that the straight man role is incredibly powerful in comedy. You can make anything funny just by having a characteristic reaction to it. It makes me think about sudden reactions and how they can totally flip the meaning of the last sentence in a scene.