Seagulls: Immersion and Awareness

Source: Adam Clarke: Flickr

Source: Adam Clarke: Flickr

I am temping in Westminster at the moment, on the 5th  floor so I can see out over the chimneys and aerials. I was looking out the window this lunchtime and I saw a seagull waddling down a grey slate roof. I wondered what it’s like to be a seagull.

Specifically I wondered what it is like to be a seagull on the Thames, bobbing about in the cold water, then wheeling up into the air and swooping down onto the geometric coral of the Westminster rooftops. The roofs of Westminster are a desert, with gulleys that harbour bin-bags of occasional delight for a scavenger.

That is a pretty interesting transition.

When I look out, I see a distraction from the mundanity of a quiet afternoon, perhaps the seagull sees respite from the struggle for food. Does a seagull wheeling down onto a rooftop feel like a worker heading into the tea-room for a sit down?

Life is filled with boundaries and transitions.

In daily life we often go through these boundaries without noticing. The rush hour is a different place than my bedroom at night, but I rarely pay attention to how my state changes during the day.

It’s easy to miss this on stage as well. If you are having to create your environment as you go then you can’t completely be influenced by it. But you can be more aware of how you are affected, and then use that to find more nuance on stage. I think next time I get to play a bird I will notice the difference between being on land or in a tree. I think it’s more dangerous to be on the floor as a bird. I will feel safer in the trees as a bird.

I also think playing games around this in rehearsal is a good way to open up that nuance in performance. If you can play at being a deer in the woods and the same deer crossing a road you can see that a deer isn’t just a deer. A wolf in its pack is different from a lone wolf.

You might want to notice these moments over the next few days. How does your posture change when you go through these boundaries? For example coming in your front door, or getting on a packed or empty carriage. What expands in you when you move into a different environment and what contracts?

There is a lot of creative fuel to be found in the quietest moment of opening a window and hearing traffic.

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